Posts Tagged ‘sketchbooks’
Building cityscapes out of pen, ink and watercolors, Gabriel Campanario can be seen throughout the streets of Seattle capturing the city’s subtle nuances and familiar landmarks both in the pages of his sketchbooks and in his Seattle Sketcher column for the Seattle Times. Even more inspirational is Gabriel’s dedication to the art of sketching. Seeking artistic community and a place to share and celebrate ideas, he spearheaded the Urban Sketchers movement, created to connect artists the world over through the art of sketching. With a network of sketch groups in over 30 countries around the globe, urban sketchers draw on location, immortalizing their cities through lines and colors, and visually sharing their adventures with each other and the world online.
Sketch by sketch, Urban Sketchers has grown and gained momentum, with the latest project resulting in a book filled with over 500 illustrations by artists of all backgrounds. The book not only showcases artists’ sketchbooks, but also discusses each artist’s inspirations, drawing process, and techniques. Inspired to grab her pen and watercolors and start sketching on the spot, Culture Vixen’s Gayle Wheatley caught up with Gabriel to find out more about his illustrated life.
Stella Im Hultberg* is a talented painter living and working in Brooklyn whose work is wonderfully ethereal. She was born in South Korea and raised in Seoul, Hong Kong, Taiwan, and later California. Her work has an enchanting quality to it, and her sketchbooks are especially fun. You can even browse though entire sketchbook collections on her website.
Panaz designer dress
Charlotte Hudders is a talented fashion designer who creates not only visually inventive designs, but exciting costumes as well. Hailing from the UK, Charlotte also spends time abroad in Bali drawing inspiration for her designs. The way she translates her ideas into illustrations and watercolors before ultimately transforming those into fabric is fascinating to observe. Culture Vixen had the chance to talk in depth with Charlotte about her work.
Gayle Wheatley (GW): How did you decide to pursue design and how did you get started as a designer?
Charlotte Hudders (CH): I was always very passionate about art and design at school. My parents encouraged my brothers and I to be creative. My mum is an artist and trained as a dressmaker. She would make us wonderful outfits and costumes growing up. I think that is probably where my passion for fashion and costumes began!
After leaving school I studied art foundation for a year before going on to study theater and performance design at Paul McCartney’s Liverpool Institute for Performing Arts.
Although I was drawn to studying fashion and textiles, I still wanted to expand my knowledge in other areas of design. The course enabled me to explore a range of different design opportunities: costume, fashion, set design, and prop making. Being able to learn these different disciplines has really enabled me to push the boundaries of fashion and costume design by using unconventional techniques and materials.
Dress made from shopping bags, Cricket Boutique
GW: What is the craziest costume you’ve ever designed?
CH: I love designing costumes that incorporate prop making into them. I designed a costume based on the character ‘Silky’ from the Enid Blyton book The Magical Faraway Tree where the theme was to design it as though Terry Gilliam directed the screen version. Instead of having beautiful silky hair like the story suggests, the costume depicted a much darker side to Silky’s nature. Her skirt suggests that she has come out of a cocoon and that she was originally a silk worm! The organic nature of her costume reflects her natural environment, dried out cabbages are sewn into the corset with elements of hand painting and burnt out organza (pictured below).
“I like to focus on the small nitty gritty details of people’s everyday existences; from passing gossip and menial everyday tasks to unkempt hair and chocolate wrappers that have missed the bin. I gather them all up in my head like a giant scrapbook, and bring them into my work, conserving them in some sort of form before they are past recollection.”—Sanna Dyker
[ via sannadyker.com ]